Photo and traditional Chinese cloisonné posters

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Prompt
Prompt (English)
Please turn each photo I upload into its own independent, premium design poster. Do not combine multiple photos; output each photo separately. Use an overall 3:4 vertical composition, with the upper and lower areas strictly equal in height, each occupying 50% of the image. Keep the original photo in the upper half, preserving the subject's identity, structure, pose, realistic texture, natural light and shadow, and original color atmosphere. Apply only subtle, refined color grading for the feel of fine-art photography and an Eastern exhibition image. To fit the frame, the environment may be extended naturally, but the subject must not be stretched, distorted, or altered. In the lower half, extract the photo's most recognizable subject, silhouette, pose, and narrative relationships, and reconstruct them as decoration on a traditional Chinese cloisonné (Jingtailan) object, presented on a softly lustrous copper-body enamel table screen or a round enamel plaque. Whether the original depicts people, animals, architecture, plants, objects, or landscapes, understand it as a "pattern that can be wire-shaped, enamel-filled, and fired": outline the subject and its internal structure with individual fine, narrow, gilded copper wires, forming closed little cells, each filled with a different colored enamel glaze. Take the pose from the photo's most expressive instant, as though it has been permanently frozen beneath the glaze. Do not depict it realistically or cartoonishly. Reinterpret it through cloisonné's formal language: linear, flattened, and patterned, outlining forms with gold wire and using traditional scrolling lotus, key-fret, auspicious clouds, and sea-and-cliff motifs as local decoration or background fill. Preserve the original's most recognizable traits so viewers recognize it instantly while sensing that an old craftsperson shaped each wire and repeatedly filled and fired the enamel. Craftsmanship and luster are the soul of the work: the gilded copper wires catch soft yet distinct golden highlights, like a fine golden skeleton. After repeated firing and polishing, the enamel has a glasslike, softly lustrous, translucent sheen, with subtle variations in glaze depth, tiny bubbles, and traces of handwork. Base the palette on Jingtailan's signature peacock blue / sky blue, accented with coral red, sapphire blue, peacock green, ivory, and pale yellow. A beam of warm side light falls obliquely across the object; wire and glaze create delicate light-and-shadow relief, with soft reflections at the edges, like a treasure quietly displayed in a museum case. Build the composition around one object, one decorative motif, and abundant negative space. Place the enamel plaque or table screen on a dark background (such as deep indigo velvet, ebony lacquer, or a warm ink-colored field of light), naturally darkening toward the edges. The main decorative motif occupies only about 25%–35% of the image, optionally off-center or at a golden-section point. Leave large areas of plain, single-color enamel ground on the object (such as a pure sky-blue ground), like the blank space on a vessel, quiet and breathable. Do not include cluttered object displays, unnecessary props, or a panoramic exhibition hall. Extract 2–3 colors with the strongest emotional value from the photo above, translate them into enamel glaze colors, and harmonize them with the dominant Jingtailan blue. Use deep indigo and warm ink tones for shadows rather than cold black. Reserve gold for the copper wires and object borders, with restraint and precision. Introduce text sparingly: a "name of the object" or a short phrase in small vertical characters in a corner, recalling an engraved maker's mark on the bottom of a vessel or a small vermilion seal, placed quietly in the negative space, with no restriction on language. Create a craft-based visual through gilded cloisonné wirework, glassy enamel sheen, Jingtailan blue, the texture of side lighting, and Eastern negative space. The core principle: fire the protagonist of the photograph into an enamel plaque, treasured for a thousand years between golden wires and colored glazes. Avoid complete photorealism, dense all-over decoration, cheap Chinese-trend styling, plastic texture, cheap 3D rendering, a cartoon feel, and formulaic posters.
Prompt (Chinese)
请将我上传的每一张照片分别制作成一张独立的高级设计海报,不多图拼接,每张照片单独输出。整体采用 3:4 竖版构图,上下两个区域高度严格 1:1,各占画面 50%。 上半部分保留原始照片,保持主体身份、结构、姿态、真实质感、自然光影与原有色彩氛围,仅进行轻微高级调色,使其具有艺术摄影与东方展览图像质感。为适配画幅,可自然扩展环境背景,但不得拉伸、扭曲或改变主体。 下半部分提取照片中最具识别性的主体、轮廓、姿态与叙事关系,重构为一件中国传统掐丝珐琅(景泰蓝 / cloisonné)器物上的纹饰,呈现在一方温润的铜胎珐琅插屏或圆形珐琅牌之上。无论原图是人物、动物、建筑、植物、器物还是风景,都被理解为一个"可以被掐丝、点蓝、烧制的图案":主体的轮廓与内部结构被一根根细窄的鎏金铜丝勾勒出来,形成一个个封闭的小格(丝格),每一格内填入不同颜色的珐琅釉料,姿态取自原照片中最有表情的那个瞬间,仿佛被永久凝固在釉面之下。 不要写实描绘,不要卡通化,而是用掐丝珐琅的造型语法重新概括:线条化、平面化、图案化,以金丝勾勒轮廓,以缠枝莲纹、回纹、如意云纹、海水江崖等传统纹样作为局部装饰或填充底纹。保留原物最具识别度的特征,使观者一眼认出,同时感到它被一位老匠人一丝一丝掐出、一遍一遍点蓝烧制过。 工艺与光泽是这件作品的灵魂:鎏金铜丝在光线下泛出柔和而清晰的金色高光,像一张细密的金色骨架;珐琅釉面经过多次烧制与打磨,呈现玻璃般温润的半透明光泽,可见轻微的釉色深浅过渡、细小气泡与手工痕迹。釉色以景泰蓝标志性的孔雀蓝 / 天青蓝为基调,点缀珊瑚红、宝石蓝、孔雀绿、象牙白与鹅黄。一束侧向的暖光斜照在器物表面,金丝与釉面形成精致的明暗起伏,边缘带有柔和反光,像博物馆展柜中静静陈列的一件珍品。 构图以一器一纹 + 大量留白为核心。珐琅牌或插屏置于一片深色的背景之上(如深靛蓝丝绒、乌木漆面或暖墨色光场),四周自然暗下;主体纹饰只占画面约 25%–35%,可偏心或位于黄金分割位置,器物上大面积保留素净的单色釉地(如纯净的天青蓝底),像器物上的空白,安静而有呼吸。不出现繁杂的器物陈列、多余道具或展厅全景。 配色从上方照片中提取 2–3 种最具情绪价值的颜色,转译为珐琅釉色,与景泰蓝主调统一协调;阴影使用深靛与暖墨色,而不是冷黑;金色仅用于铜丝与器物边框,克制而精准。 文字少量介入,可以竖排小字的方式在画面一角写一个"器名"或一句短句,形式参考器物底部的錾刻款识或一枚朱红小印,安静地落在留白处,不限制语种。 整体呈现鎏金掐丝、玻璃釉光、景泰蓝色、侧光质感与东方留白共同构成的工艺视觉。核心原则是:把照片里的主角烧进一方珐琅,让它在金丝与釉色之间被珍藏一千年。避免完整写实、满纹堆砌、廉价国潮、塑料质感、廉价3D渲染感、卡通感和模板化海报。
Parameters
3:4
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