Original-to-Glass Subject Transformation Diptych

[Overall composition]
Generate a standalone 3:4 vertical image divided into two stacked panels of approximately equal height. The upper panel shows only the uploaded original photograph or original image, and the lower panel shows only a stylistic translation of that same subject. The entire image contains just one subject: do not add a second subject, introduce unrelated scenes, create a person-and-pet side-by-side composition, or add a third panel. The original image and the stylized subject must each occupy the stable visual center of their respective panels, with an appropriate safety margin at the bottom.

[Upper panel | Original image]
The uploaded image is the sole basis for the subject's identity, structure, and pose. Preserve the original photographic or imaging texture, natural lighting, setting, colors, and authentic materials. Do not redraw the original image or apply artistic filters to it. Prefer embedding the entire original image and completing the layout with white space. If cropping is necessary, crop only irrelevant background; do not remove key identifying features, change the subject's proportions, or change its pose. Preserve the subject's outline, structure, color divisions, material characteristics, accessories, props, gaze, orientation, and pose. No effect from the lower panel may cover the original image above.

[Lower panel | Subject correspondence]
Translate only the original image's central subject and any carried props or attached structures that actually exist, replacing the background with pure white. Keep the same viewpoint, orientation, gaze direction, and corresponding pose. If the original is a partial or half-body composition, prioritize the corresponding extent below; if the original shows the full body or complete subject, retain the complete subject below and do not arbitrarily change its pose to fill the frame. Proportions, materials, and structure may change with the style, but the subject's identifying features must remain continuous. Do not replace the subject or change its identity, species, category, apparent age, color divisions, or core structure. Do not force nonhuman subjects into human form.

[Lower panel | Core glass-texture style]
Show transparent refraction, edge highlights, realistic glass thickness, and illustrative shaping. Reconstruct the subject itself as a glass-art subject with real volume. Shape its outline, structure, color divisions, and key features through different locally tinted glass layers. Use the main colors extracted from the original image for limited-area tinting so its identity remains clear in the transparent material. The glass should have substantial edges, curved-surface refraction, internal transmission, and moderate layering. Keep highlight directions consistent and reflections simple. The subject is not wearing a transparent raincoat and is neither a transparent outline nor an ordinary plastic figurine. Preserve the subject's original category and structure without anthropomorphizing it. Keep the background pure white. Ensure readability against white through local colors, glass thickness, light and dark edges, and natural contact shadows. Avoid broken glass, complicated background mappings, rainbow polarizing films, metallic reflections, and meaningless light spots.

[Center line and transition]
Use a clear division of white space, with glass highlights only near the lower edge. The transition serves only to help viewers see the correspondence between the upper and lower panels. Do not use a thick black horizontal line, let the subject mix across the division, or fuse the two treatments into a single subject.

[Unified quality and text rules]
The upper and lower panels must be immediately recognizable as the same subject. The lower panel must clearly reconstruct the style rather than filter the original image. Lines, color blocks, light and shade, materials, and handcrafted details must all serve the same style, without unrelated visual styles. Avoid excessive smoothness, meaningless accumulation of detail, random decoration, extra structures, repeated subjects, and incorrect proportions. Do not add any text, letters, numbers, slogans, logos, brand names, watermarks, borders, or recognizable interface text anywhere in the image. If the upper original image already contains text, do not paint over or alter the original. For this test, select a new original image that already has text-free clothing, unbranded props, and a background without writing. Do not copy readable text from the original into the lower panel.